Decorating by the sea Believe it or not there are very specific rules that should be followed when decorating a home by a waterway or by the open sea. The very same elements and principles of design still occur as with any other type of interior design or decoration work, but the way in which the home functions and should be coloured and decorated will change considerably.
To begin with there are some assumptions that we can make in Australia about homes by our waterways. These are that;
- Land on a lake or the beach will have been purchased at a much higher inflated price than the land in the neighbouring streets that have no direct water access
- Land in areas where there is a view of a waterway will be higher priced that areas where there are no water views
- People who purchase inflated prices for such blocks of land are doing so for a view
- People who are attracted to such areas are those who appreciate nature and the serenity of these watery retreats.
There will be some differences to how such homes are decorated which will rely on the actual out look of the home. Interior design and decoration of these homes will thus depend on the following;
- Orientation
- Distance from the water
- Whether the water is stagnant or moving
- What rooms face the water
- Whether or not the house has exterior protection from the effects of the water’s glare
Let us discuss each of these in detail;
Orientation
Where the sun rises and sets over the water view in a waterside home, will have a direct affect on the type of decoration and colour within such a home. It all has to do with the colour and intensity of the light as well as how low the sun’s arc is across the sky.
Distance from the water
How close the house is to the water will determine how much reflection there will be upon the home. When a house is within metres of the waters edge, then the reflection of light on the surface of the water will become part of the lighting within the homes interior. The sharpness of the light will defuse the colours within the home and they will appear washed out. Thus when choosing the colours for walls near to the water’s reflectance, the depth of the colour will need to compensate for the loss of colour, especially if the room is used all day long. The furnishings near the waters edge will also need to have much stronger insulation; to be light reducing and also light fast. Such furnishings will always fade, but wise selection of special darkened reflective linings will minimise the glare into these rooms, when it becomes unbearable to see in them.
Believe me there will be times where the reflectance of such light off water will become unbearable and the rooms will need to be shut up in order to use it. Such time will be when the sun is rising or setting on the room across the water that it is closest to. Even living near water has its complications.
In such rooms exposed to such high reflectance off the water, whites should be avoided. In any situation white as a colour reflects all light off its surface and does not in fact absorb anything at all of the suns rays. Thus as it reflects the light of a white surface, this light simply bounces back into the eyes of the person near it. When white tiled floors are used in a room near to water with a high reflectance of light the use of this colour will double the intensity of the room and just should not be used as it can become absolutely unbearable.
Whether the water is stagnant or moving
When the water is moving as in the case of the sea and waves the reflectance of light off its surface is actually broken up and more diffused and thus the effect on your home less intense than if the water was slowly flowing as in a river or late.
What rooms face the water
In many cases only a part of the home will face the water or have water views. Not everyone can have 180 degrees view! In this case the room that faces the view should be a room where the majority of the family can appreciate the view and hopefully a room where guests may also feel comfortable. Thus if designing a home by the water from the beginning, one must consider this carefully. If however the home is existing and nothing can be done about the room arrangement, then perhaps cantilevered verandas can be added to the exterior wall of the home so that outdoor living can make use of the view. When a family room or kitchen faces the water view, this is a room that will see all aspects of the view with the morning, mid day and afternoon light. The interior decoration and colours should thus be chosen for the time of day in which the most use of the room will be made.
In the family room for example it may be used mostly in the afternoon and evening and the family will probably watch television. They may watch the view for the first few months, but this will wear off after a while). The television will need to be positioned on the wall, which is furthest away from the view, so that it is watched in shadow and not against a backlit backdrop. Otherwise the glare will be behind or beside the television and harm the eyes of the person watching. However the glare from the water view cannot reflect upon the television either or the screen will appear faded or washed out. Thus there will need to be dark isolative window treatments that will act to block out all light when this occurs.
Thus you can see the positioning of rooms in a newly designed home need to be considered be very carefully so that rooms with specific a function can be catered for as well as the water views. Or in some cases rooms with no function other than enjoying the view are placed nearest to the water.
Does the house have exterior protection from the effects of the water’s glare
Exterior blinds, awnings, verandas and pergolas are all forms of exterior protection that are almost essential for all homes near water. They allow for an extra layer of window treatment from the outside.
The reason for this necessity is that all homes by the water have one feature in common, lots of windows. Glass is a poor insulator and lots of heat and coolness is lost through glass. That is of cause unless steps have been taken to use laminated or heat resistant glass, which is not only a new feature of the past decade, but also quite expensive.
Thus it is an easy option to be able add a layer of protection to your windows for light and temperature control from the outside of the glass. Some awning options simply block everything out, whereas some of the more decorative metal or timber slatted louvre blinds allow for internal control of light and heat.
Colour themes
As with all styles of decorating the selection of colour for a sea side or riverside home is often limited. As already mentioned is there is a reflectance of light issue off water close to the home, then white should not be a predominant surface colour for walls, windows floors or ceilings. If white is desired, then it should be left for furniture and accessories rather than other treatments.
Before colours are chosen it is best to consider the following questions;
At the time that the water view is enjoyed the most;
- Is the view a warm one or a cool one?
- Is the view in morning or afternoon light?
- What direction / orientation is the view to the house?
- When it the water view the dullest?
- What is the function of the room with the view? (or does the whole house have the view)
Let us use an example of a beach side home on the east coast of Australia. If the house faces east and the living room is the room with the view, what colour scheme would we be best to choose?
- Is the view a warm or cool one?
- What the predominant colour of the sea is?
- Does the view have morning or afternoon light?
- When is the sea vista at its dullest?
That’s when the sea is at its worst, cold, dull and grey. What is the function of the room with the view? Now that you have ascertained the details there are several decisions that will have already been determined for you. For example the view is predominantly a cool one, especially through the winter months where it is at its worst. Therefore the interior colour scheme should be a warm one to contrast with this.
Secondly what do we all like about the sea the most? Its blue colour! When is that blue colour depressing? When it is underneath dull dark grey clouds and takes on this depressing colour. How can we make this dull view look its best at this time of year? Well we use a complementary colour scheme.
This is a scheme including any two colours that lie directly opposite each other on the colour wheel. Why? Because these two colours can be used to make each other look their brightest and most brilliant, especially when one is used in a small percentage than the other.
Therefore with our dull grey blue cold colour scheme by the sea in winter, if we decorate the interior of the room looking at the view with an orange colour scheme and make a point of dominance of the window framing the view, then the smaller percentage of blue in the view will be made to look “bluer” and more brilliant due to the orange used in the room surrounding it.
Now please remember when I speak in terms of orange and blue I am discussing the vast array of colours available within the full spectrum of these two colours including tints, greys and shades and complementary reductions of each of these colours. The scheme is not limited to the primary and secondary features of basic orange and blue alone. There are even extensions of this colour scheme using a split complementary or double split complementary colour scheme. All of which will create the same function but perhaps introduce a more complex array of colours to use.
This does not mean that the whole house should be coloured in orange and blue either! Because with the various different colours used in any complementary scheme, the main colour in each room can change room by room, so that each area looks independent but somehow part of the whole family of colours used in the whole hole. As long as the scheme is predominantly warm, the contrast will still exist.
Easy isn’t it!